Then you make a number of lumps, using Derma Wax taking into account that you use the same approach every time: take it out, soften it and apply it.
Take the Crème Make-up Pure out with a clean spatula and work from the spatula. Apply it with a slightly damp latex sponge or make-up sponge onto the skin. Work the base out properly, up into the hairline, and do not forget the ears and neck. This is how you avoid a mask-like effect.
By shadowing and lightening you create a depth effect. You work according to the aging principle:
Important areas for shading are the eye sockets, the temples, the side of the nose and below the cheekbones. The vertical frown wrinkle and the naso-labial ('nose-lip') fold are also important areas to shadow. You draw the lines with a flat sable-hair brush. By placing it obliquely on the skin you get a sharp edge on one side and a fading effect on the other side. To determine which side should be sharp and which side faded, you start from the centre of the face (nose). Create a fading effect towards the outside.
You can also work with shadows in the Derma Wax structure around the eye and in the warts to suggest depth. In this example we are using Crème Make-up Pure, as this can be applied easily and blends beautifully.
Apply white make-up to the higher parts of the forehead, above the temple, next to the frown wrinkles on the wings of the nose and on top of the nose. The eyebag is also lightened a little. Between the higher parts of the brow some subtle shadowing is done to generate more depth. You also let the warts stand out more by making them lighter.
The shading and lightening must blend into the basic colour in a natural way. If necessary, blur the segments and lines that are to be faded with the fingers or a dry make-up sponge. You do this with a dabbing action, without wiping.
To fix and mattify, you can powder the Crème Make-up Pure off with Grimas Fixing Powder or Make-up Powder.