Grimas | Winemaker

Important areas for shading are the eye sockets, the temples, the side of the nose and below the cheekbones. The vertical frown wrinkle and the naso-labial ('nose-lip') fold are also important areas to shadow.

You draw the lines with a flat sable-hair brush. By placing it obliquely on the skin you get a sharp edge on one side and a fading effect on the other side. To determine which side should be sharp and which side faded, you start from the centre of the face (nose). Create a fading effect towards the outside. The lines from the eyes towards the forehead (vertical frowning wrinkles) and the naso-labial ('nose-lip') fold are therefore sharp in the direction of the nose and more blurred towards the outside. The naso-labial fold is easier to locate if one grimaces. Bags under the eyes are sharp on the lower side and must be faded towards the upper side.

LIGHTENING

If the non-shaded parts are lightened, this will enhance the effect of bringing those areas "forward".
Apply white make-up to the higher parts of the forehead, above the temple, next to the frown wrinkles on the wings of the nose and on top of the nose.

You powder the face off with Grimas Transparent Powder, Fixing Powder or Make-up Powder. Apply the powder on top of the make-up. You can do this with a Make-up Sponge or a Velour Powder Puff. Allow to settle in and remove excess powder with a Powder-Rouge Brush.

After that you can apply fine red veins using a stubble sponge. You squeeze the stubble sponge, press it onto the make-up (dark red colour), test it on the hand and apply it to the cheeks and nose. Do not press too hard on the latex Nose when doing so.

FINISHING

Water Make-up can be used to add (additional) colour to the hair and eyebrows, provided that the hair is not permed, bleached or dyed. For the head hair you use a sponge or a toothbrush; for the eyebrows or a moustache you use a (artist's) brush.

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